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Nomad (2012-2014) is a body of work that investigated  a quasi-figurative world of hybrid locations the artist has known, inhabited and even walked. The paintings assert certain scepticism and yet remain affirmative in relationship to history and the contested problem of image making. The contradictions between the material surface of the canvas and the strong illusionistic effects that mark out unnamed topographies, bring these provocative collisions into a tentative relation with one another, yielding a body of work that appears formally resolved like a well scripted accident.